My work seeks to bridge the enduring power of Old Master draftsmanship with the evolving language of contemporary technology and media. At its core is the human figure — rendered not through observation alone, but through invention. I construct anatomies and choose light sources, building imagined worlds where form and atmosphere are entirely my own.

Kin-aesthetics — the body's innate sense of movement and spatial presence—guides my compositions. I explore how gesture, tension, and balance can express emotion and intention, even when untethered from realism. These invented figures exist in spaces shaped by deliberate light, shadow, and structure — offering not a replication of reality, but a vision of it reimagined.

For me, digital tools and traditional methods are not in conflict; they are collaborators. I use contemporary media to extend the reach of timeless techniques, merging hand, eye, and code in pursuit of expressive clarity. My goal is to create images that feel both ancient and new — imbued with discipline, wonder, and the quiet strangeness of invented worlds.